Visual & data

Lyric production

Align every song with its emotion, imagery, tempo and arrangement before writing a line.

Paid $9 list, $7 until 2026-12-31 · one skill, yours for good. The outline, the steps and the file open after purchase.

Background

Use this skill to write, revise, and review the 12 lyrics for the <PROJECT_CODENAME> project. Lyrics must match the title, emotional intent, imagery, song style, tempo, vocal direction, arrangement, and MV/image group.

Why it is built this way

Two reads come before any line: the song brief for title, core emotion, main imagery and MV anchors, then the style contract for genre, instrumentation, tempo and vocal type. The outline follows, intro through outro, and only then does the lyric get written. The twenty deliverable fields exist so a mismatch shows up as a field that disagrees. A lyric whose tempo and arrangement_arc describe a different emotional world than its title gets caught at the record, before a composer spends time on it.

Three chorus hooks get drafted because the hook is where a title, a central image and an emotional turn either line up or do not. The rules file then strips what survives by default: slogans such as 最美 and 必去, county-level administrative names, strings of four-character idioms, forced place names. The chorus has to carry an emotional sentence rather than inventory the place, and historical songs write choice and consequence instead of restaging a battle or inventing dialogue.

Where it bites

• The tourism intro arrives as a lyric A draft lists what the place contains, one landmark per line, and the chorus becomes a brochure. The rule is that the chorus carries an emotional sentence, and the writing step requires concrete scenes, actions, senses and a clear point of view instead of an attraction list.
• Slogans that survive the draft Words like 最美 and 必去 slip in because they fit any line, and the song starts sounding like an advertisement. Step 6 checks the draft against lyric-writing-rules.md and removes slogans, administrative names, generic classical phrasing, forced place names and clichés before anything gets scored.
• A hook that fits two different songs The first hook drafted is generic enough to work under a different title, so the song loses its reason to exist. Step 5 asks for two or three variants and keeps the one that connects the title, the central image and the emotional turn most tightly.
• A historical song that stages the battle The draft reenacts a battle and puts invented dialogue in a historical mouth, which turns a song into a claim about the past. The boundary is to write human choice, fate, memory and consequence, and the fact check in qa-and-compliance.md has to pass before the lyric leaves.

When to use it

Write and review lyrics for the <PROJECT_CODENAME> project, aligning each song title with its core emotion, imagery, genre, tempo, vocal direction, arrangement, MV, and locked image group. Use for lyric drafting, hook development, style matching, originality checks, and compliance review; not for image generation or unrelated songwriting.